Damon Davis is an Emmy award-winning artist/filmmaker and musician from East Saint Louis. He co-directed “Whose Streets,” a documentary centered on the uprisings in Ferguson post-Michael Brown’s death. I remember walking through the Delmar loop during the premiere of his film. The line to get in stretched an entire block. Critics raved about the perspective that it captured. The film was later purchased by Magnolia Pictures for a theatrical release.
Soon after, I attended his "Darker Gods" exhibition held at the Luminary. Gallery walls were filled with every aspect by Davis. Sculptures, paintings, photography, music, and video. It's like you were walking through a page of Davis' mind. Earlier that day Davis released his album, which was also titled Darker Gods. “Davis crafts a sonic landscape that welcomes us to a new world of Black Gods and Goddesses”.
The album was also accompanied by exciting visuals by Ryan Frank. His video for "Light Years" featuring Tonia recently won Best Video at this year’s SLUM fest awards. This Afro Futuristic body of work was a success for Davis as it traveled from Saint Louis to Miami for a special Art Basel exhibit. Being an artist of multi mediums, I always admire how one can compile their thoughts and express them in different forms. Davis is a pro at expressing himself seamlessly from one media to another.
Once I got news that Damon Davis would be exhibiting work at Gallery 210 at UMSL, I was ecstatic. Being a gallery assistant at Gallery 210 means that I prepare and hang the work that's exhibited. I knew that this would be a great opportunity to learn more about his work.
Once I got news that Damon Davis would be exhibiting work at Gallery 210 at UMSL, I was ecstatic. Being a gallery assistant at Gallery 210 means that I prepare and hang the work that's exhibited. I knew that this would be a great opportunity to learn more about his work.
Damon delivered over 100 original mixed media works of art to the gallery. The “Negrophilia” exhibit was unique in the sense of presentation. Unlike your traditional white gallery walls, this exhibit features a ‘red’ room and a ‘black’ room, which complement his art and give them a strong background.
“Davis’ work addresses the complexities of how protest, pain, and reflection merge together.” It’s inspirational to see an artist of similar backgrounds gain such success. His talent and professionalism are one to follow. This exhibition will be on display until May 11, 2019. Stop by @Gallery210 Monday-Friday 11 a.m.-5 p.m.
